Twin Cities Jazz Festival

Jazz Women All-Stars Return to the Dakota on October 6

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Jazz Women All Stars © Andrea Canter

© Andrea Canter

A project initiated and directed by Twin Cities’ vocalist Patty Peterson, The Jazz Women All-Stars debuted at the 2016 Twin Cities Jazz Festival, opening music on the AARP Main Stage at Mears Park on June 24th. With an initial cast of local (or formerly local) jazz women–Mary Louise Knutson on piano, Joan Griffith on bass, Sheila Earley on drums, Mary Petrick on saxes, Linda Peterson on both keys and vocals, and Patty Peterson and Debbie Duncan on vocals, it was a stellar set, reprised at the Dakota in fall 2016 and spring 2017, as well as a headline set at the 2017 Winter Jazz Festival, with Kathy Jensen taking over sax duties, Jendeen Forberg on drums, and Ginger Commodore adding vocals with Patty, Joan and Mary Louise.  Another all-star cast– with Linda Peterson on piano and Lucia Newell joining Patty and Ginger on vocals, Joan on bass and Jendeen on drums– convenes at the Dakota on October 6 for two shows, 7 and 9 pm.


Launching the Jazz Women All Stars

Patty Peterson © Andrea Canter

Patty Peterson had been percolating the idea of an all women’s ensemble for a couple years.  “if you look at jazz festivals in general,” she notes, “whether we’re looking at smooth jazz festivals or straight-ahead jazz festivals, really there are virtually no women. There is an appearance by a woman here and there, not necessarily all women on the stage at once. It’s important that we take command of the fact that women play such great jazz and they’re such great artists that why not just feature them?” Patty sold the idea to festival director Steve Heckler, who put the Jazz Women All Stars on the AARP Main Stage to open activities on Friday. And Patty had no trouble finding “all-star” jazz women currently, or previously living and working in Minnesota.  The set was so well received, Heckler wants to make it an annual part of the festival.

First edition of Jazz Women All Stars at the Twin Cities Jazz Fest (2016) © Andrea Canter

But Patty wasn’t going to stop there. Performing once a year at JazzFest isn’t enough. “We’ve got some great instrumentalists. We know we have fabulous singers. We just need the opportunities to pull them together to be able to create, so people can sit in the audience and go, ‘oh yeah,’ and God forbid, say something like ‘she plays just like a man,’ like they used to say to my mom, Jeanne Arland Peterson.” Patty sees the personnel as somewhat fluid depending on availability and desired instrumentation. Drummer Sheila Earley spends a good part of each year away from the Twin Cities; saxophonist Mary Petrick now resides in Arizona and may not always be able to make the trip back to Minnesota.

Fortunately there are far more women jazz artists in town than we typically see in local clubs. Many teach in high schools and colleges; many also perform in area big bands. Pippi Ardennia, area vocalist, songwriter and educator, has also organized a “Women in Jazz” project that brings together veterans like Faye Washington and Marilyn Parker with student musicians from area high schools and colleges. Women in Jazz also performed during the 2016  and 2017 Twin Cities Jazz Festivals. Another project bringing together area jazz women is the Swing Sisterhood Big Band led by Sarah Schmalenberger, which has performed several times at Jazz Central Studios.


The All Stars, at the Dakota

Patty Peterson has been singing in clubs, theaters, and commercials since she was a youngster. Currently she heads the Patty Peterson and Friends ensemble, performing on stages at the Dakota, Bunkers, Crooners Lounge and other venues, as well as appearing in clubs in southern California. She also hosts The Playroom, every Sunday night on KBEM radio. A 7-time winner of a Minnesota Music Award and Midwest Music Hall of Fame inductee, Patty released her fourth solo recording (The Very Thought of You) in 2013. Patty has performed often at the Twin Cities Jazz Festival and recently hosted KBEM’s Minnesota Jazz Legends: The Elders.

Ginger Commodore © Andrea Canter

Displaying an elastic voice that seems to fit the blues as well as the ballad or pop cover, Ginger Commodore began her career as a member of the Grammy Award-winning Sounds of Blackness, remaining with the ensemble for many years. She’s an original member of Women Who Cook and Moore by Four, and has performed with Yanni, The Minnesota Opera Company, the Twin City Gospel Ensemble, the J.D. Steele Singers, and with local theater productions, including Penumbra Theater, Mixed Blood Theater, Hey City Theater, Children’s Theater and Chanhassan Dinner Theater. When not otherwise busy on stage, Ginger performs with her own quartet (GCQ) and with husband Bobby’s BWC.

Lucia Newell © Andrea Canter

Minneapolis native Lucia Newell spent her early career performing and studying in Los Angeles, Brazil (singing for two years at Clube 21 in Rio), Mexico (six months at El Señorial in Mexico City), returning to the Twin Cities as a studio backup vocalist for Jimmy Jam Harris, Terry Lewis and Monte Moir of Flyte Time. Over the past two decades, Lucia has been engaged in voice-over work, performing, teaching, composing, and pursuing her life-long study of music. A linguist as well as vocalist, Lucia writes lyrics in English, Spanish and Portuguese, and has translated many of her favorite Brazilian songs. In addition to her appearances with her quartet, Lucia has paid tribute to singers she describes as her “music mentors,” the late Betty Carter and Anita O’Day, has recorded with Joan Griffith and Laura Caviania as well as releasing Steeped in Strayhorn in 2005, described by Alan Bargebuhr in Cadence as “alive with authentic jazz affirmation.”

Linda Peterson © Andrea Canter

Daughter of pianist/vocalist Jeanne Arland Peterson and the late pianist Willie Peterson, and sister of Ricky, Billy, Paul, and Patty, Linda Peterson couldn’t help but be drawn to music at an early age. Her singing career began at age two when she began performing around the Twin Cities on radio and television as well as singing in commercials. Based in Los Angeles for many years, Linda has performed at jazz festivals, concerts and in clubs throughout the U.S. and abroad, including appearances at the Twin Cities Jazz Festival and with the Peterson Family for holiday and other special concerts at the Dakota and area theaters. After relocating (part time) to the Twin Cities, Linda has been heard at Parma 8200, Lexington, Crooners’ Lounge, Vieux Carre’, the Dakota and other venues. Her 2015 recording, You Gotta Be Somewhere, is a compilation of her original tunes, encompassing recordings from Copenhagen to Buenos Aires

Joan Griffith © Andrea Canter

A noted teacher, composer and performer, Joan Griffith has toured and recorded as a classical and jazz guitarist, bassist, and mandolinist. Now head of the Jazz Studies Department at the University of St. Thomas, Joan is also a guitar and bass instructor at St. Catherine’s University and director of the MacJazz Workshop at Macalester College. She also appears frequently with the Minnesota Orchestra as a classical mandolinist. Her recent recordings include Sambanova! with Laura Caviani and Circle of the Dance with Clea Galhano and Lucia Newell.

Jendeen Forberg and Kathy Jensen © Andrea Canter

Kathy Jensen is a founding member of the Hornheads (a capella horn ensemble) which recorded nine albums with Prince and the New Power Generation. She’s also provided instrumental backing for Moore by Four and is a long-standing member of the sax section of the JazzMN Orchestra (on alto and bari). Kathy can also be found in pit orchestras for touring shows and theater productions, and has performed with Aretha Franklin, James Borwn, Natalie Cole and more.

Drummer Jendeen Forberg is a founding member and leader of the Wolverines Big Band, often heard these days as the Wolverines Trio backing such artist as Arne Fogel and Maud Hixson with a monthly gig at Hell’s Kitchen. She started drum lessons with Elliot Fine and began gigging with her father (a local horn player) when she was 11. In addition to her four decades with the Wolverines, Jendeen has played in metal bands All the Pretty Horses and Harsh Reality. When not behind the trapset, Jendeen works with at-risk and homeless youth through Streetworks.

Such an all-star cast just happens to be filled with women, and really, it’s the tip of the iceberg in terms of the talents here in the Twin Cities. Hear for yourself just how powerful a band full of jazz women can be! Sets at 7 and 9 pm, ticketed show, at the Dakota on Friday night, October 6.


Tickets are available for the Jazz Women All Stars at or call the box office at 612-332-5299. The Dakota is located at 1010 Nicollet Mall in downtown Minneapolis.